His technique is phenomenal, no doubt helped by the lighter keyboard action, so that even the most hazardous passages, such as the notorious broken octaves in the A major's first movement (1'19, track 5) are totally accurate.
Tony Haywood
His technique is phenomenal, no doubt helped by the lighter keyboard action, so that even the most hazardous passages, such as the notorious broken octaves in the A major's first movement (1'19, track 5) are totally accurate.
Tony Haywood