Under Maxime Tortelier’s persuasive direction the Adagio’s sublime serenity opened the gateway to Lill’s languid artistry. The magical transition to the finale was perfectly tensioned to release the scurrying Rondo with scintillating fingerwork, and after the hushed diminuendo, delivering the final flourish with relish.
Bournemouth Symphony Orchestra
Dorset Echo – Mike Marsh – 13 April 2014
